After the divorce

Mom at a Supper Club on Ventura Blvd in Studio City:

According to Mary Mallory:

“Studio City seemed to blossom into an entertainment-related town after the opening of the Mack Sennett Studios in 1928. Many of the businesses along Ventura Boulevard catered to performers or were owned by celebrities, especially restaurants and nightclubs.

At 11345 Ventura Blvd.,

a building appears to have operated continuously as a nightclub from at least the 1940s to the present day. During the 1940s, the business operated as Grace Hayes Lodge. It became Larry Potter’s Supper Club in the 1950s and hosted actor Lee Marvin speaking to four Young Democrat Clubs on Dec. 11, 1959 for the Sane Nuclear Policy movement

By the early 1960s, D.J. Bob Eubanks bought the facility and ran it as a club called the Cinnamon Cinder. It was here on Aug. 23, 1964, that the Beatles gave a secret press conference crashed by the club’s guests. Within a couple of years it operated under the name Magic Mushroom.”

More Mom:

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Brie as Peggy:

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I am best known on the world wide Internet as Peggy –not Brie nor Shirley nor Patty nor Velma.

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Brie videos:

Click on “brie videos” below:

brie videos

 

 

PRC and Bukowski

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“PRC offered compensation with a starring role in a new series of films that they were launching called The Gas House Kids, a takeoff of the Dead End Kids films.”

“In 1946, Jan Grippo, now a producer, signed Huntz and Leo Gorcey to a long-term contract and started a new series of films for Monogram Studios called The Bowery Boys, with Gorcey as the leader and Hall as his right-hand man. By the time 1958 had rolled around, 48 feature films had been made.”

Bowery Bombshell (Monogram, 1946) with Teala Loring:

Bowery to Bagdad (Allied Artists, 1955) with Joan Shawlee:

[Brie: The essential Bowery Boys films are the ones with both Huntz Hall and Leo Gorcey from 1946 to 1956, when Leo quit and moved to Northern California.]

(Hollywood’s Made-to-order-punks The Complete Film History of
THE DEAD END KIDS
LITTLE TOUGH GUYS
EAST SIDE KIDS
AND BOWERY BOYS by RICHARD Roat)

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Frilly socks, glasses, and a ponytail!

Debbie does school:

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“There was one I had noticed, older than the others. Her teeth protruded perfectly–pushing the lips out like an open passionate flower. I wanted my mouth on that mouth. She wore a short skirt and her pantyhose revealed good legs

that kept crossing and uncrossing as she laughed and drank and tugged at her skirt which would just not stay down.”

“I disliked weekends. Everybody was out on the streets. Everybody was playing Ping-Pong or mowing their lawns or polishing their car or going to the supermarket or the beach or to the park. Crowds everywhere. Monday was my favorite day. Everybody was back on the job and out of sight. I decided to go to the racetrack [Hollywood Park] despite the crowd.”

“The only thing that helped was a young girl sitting across from us. She had a beautiful body, long good legs,and she wore a mini-skirt, with long stockings, a garter belt, and she had on pink panties

under the skirt. She even wore high heeled shoes.”

(Women by Charles Bukowski)

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As good as this magazine looks, there was another issue that was even better.

I like her shoes!

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Bobby-soxer

Bobby-soxing

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Retro vintage bobby-soxers!!!

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Brie as Shirley

 

 

 

Hollywood and Vine

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From Wikipedia:

“Hollywood and Vine,

the intersection of Hollywood Boulevard and Vine Street in Hollywood, a district of Los Angeles, became famous in the 1920s for its concentration of radio and movie-related businesses. The Hollywood Walk of Fame is centered on the intersection.

Today, not many production facilities are located in the immediate area. One of the few remaining is the Capitol Records Tower to the north of the intersection.

In 1910 the town of Hollywood was annexed by the City of Los Angeles.

Beginning in the 1920s, during the Golden Age of Hollywood, the area began to see an influx of money and influence as movie and music businesses began to move in, turning the local farms and orchards into movie back lots. Hollywood and Vine was the second busiest intersection in the area, after Wilshire Boulevard and Western Avenue.

In the 1930s radio programs such as KFWB and the CBS Lux Radio Theater spoke of “broadcasting live from Hollywood and Vine,” and newspaper columnists Hedda Hopper and Jimmie Fidler regularly touted the intersection’s mystique.

In 1958, the intersection became the central point of the newly installed Hollywood Walk of Fame. Later Neil Armstrong, Buzz Aldrin and Michael Collins, the astronauts of the first lunar landing mission Apollo 11, were awarded television stars for coverage of the mission, and given the places of honor at the exact corners of Hollywood and Vine.

By the 1960s, however, many studios and broadcasters had moved onto more upscale areas, and the area fell into disrepair and disrepute, with many abandoned stores and offices, and the streets themselves, claimed by squatters and panhandlers. It took several decades for redevelopment to take hold, and visitors looking for Hollywood dreams were often taken aback by the area’s contrast with shinier tourist meccas.”

from Brie:
I remember driving around there in the 1980s  looking for a side street to park, and noticing several people just hanging around as though they had nothing to do. This was before the Rodney King riot.

Wikipedia:
“The riots over five days in the spring of 1992 left more than 50 people dead, and more than 2,000 injured.”

Brie:
Don’t confuse with the historic 1965 Watts riot in Los Angeles!

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Filth1970: “Dirty little Slut.


And I love Dirty little Sluts”

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At ground zero with Janet Mason PTA soccer mom:

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From the film “Bimbo Bowlers from Boston (Buffalo?)”

Bimbo bowler Brie:

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“This is Trudi,

“Miss Destiny was saying, and Trudi is probably the realest and sweetest-looking queen in L.A., and you have to be completely queer not to dig her. Her hair is long enough for a woman, short enough for a man. Her eyelashes were painted arched over round blue coquettish eyes. and of all the queens I will meet in L.A., Trudi has most accurately been able to duplicate the female stance so that, unlike most other queens, she has not become the mere parody of woman.” “Hi , baby,” she says, pursing her lips cutely, “welcome to the snakepit.” She indicates the scene about her as if she had been born to reign over it. Now Trudi minces out in blacklace negligee, panties and brassiere–looking I have to say disturbingly real like one of those girls in the back pages of the scandal magazines that advertise those slinky gowns and underclothes.

Truly, you will admit, Darling Dolly Dane

is cute in the dim light and shadows, with soft looking cream skin and dancing eyes and a loose sweater tonight and skirt–acting like a flirt teenage girl out to get laid. Darling Dolly Dane is all pink ruffles and queen-cuteness.”

Rechy, John

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From one of my videos:

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Brie as Shirley:

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New stamps approved:

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Diane & John

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Wikipedia:

“Diane Linkletter

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(October 31, 1948 – October 4, 1969) was the daughter and youngest child of popular American media personality Art Linkletter, and his wife Lois Foerster. She was 20 years old when she committed suicide in 1969.

    On October 5, 1969, the day after Diane Linkletter’s death, filmmaker John Waters made a nine-minute film entitled The Diane Linkletter Story, a fictionalized version of the events surrounding Linkletter’s death.
    In 1969, Bobby Darin wrote the song “Baby May” about Linkletter’s suicide. Darin said he felt that Art Linkletter could have assumed more responsibility in his daughter’s death. The song includes a lyric “Baby May had to pass away to hear her Daddy say, ‘I was wrong.’

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Janet Mason PTA soccer mom!

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& Elaine super mommy:

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From one of my videos:

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& more bobby-soxing from somewhere else:

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“Mrs. Little

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made her second entrance of the evening, this time in bright red semi-see-through lounging pajamas from Frederick’s of Hollywood.” (“Cutter and Bone” by Newton Thornburg)

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Brie as Shirley:

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Theda and Fante

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New stamps approved!

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view

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“It was a branch of the Los Angeles Public Library. Miss Hopkins

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was on duty.I glanced over the desk and was glad she wore a loose dress. If I could get her to walk across the room on some pretext I might be lucky and see her legs moving in silhouette. I always wondered what her legs were like under glistening hose.”
(The Road to Los Angeles by John Fante)

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The cowboy boots seem rather trashy, but it is Rebecca Starr!

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This is not Mayim Bialik

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from “The Big Bang Theory”.

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 from Wikipedia:
“Theda Bara

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  July 29, 1885 – April 7, 1955) was an American silent film and stage actress.

Bara was one of the most popular actresses of the silent era, and one of cinema’s earliest sex symbols. Her femme fatale roles earned her the nickname The Vamp (short for vampire). Bara made more than 40 films between 1914 and 1926, but most are now lost because the 1937 Fox vault fire destroyed most of her films. After her marriage to Charles Brabin in 1921, she made two more feature films and retired from acting in 1926 having never appeared in a sound film.”

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———-
jb4977 said the following:

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“Gotta love that… inspiring for sure.. and standing at attention to appreciate… very nice. J”

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“Looking like Peggy Hill

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there.”

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Shirley and mom:

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Free Year End Bonus

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“What’s the lady’s name?” I asked.
“Uh…Miss Delight,” he said. “Trixie Delight.”

harem_girl

She’s a dancer.”
“The Sultan’s Harem?” I asked.

I put on everything new, from panties to an inexpensive black-and-white
check dress that Long Boy and I had bought in Tampa.
She bought me eight dresses, two pair of shoes, a robe and slippers, two dozen pairs of panties and socks, and a dozen nightgowns and slips.”  
(PAPER MOON by Joe David Brown)

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 “Description:

 Tatum O’Neal “Addie” dress

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from Paper Moon. (Paramount, 1973) Vintage original, custom tailored, paneled and pleated babydoll dress. Constructed of pink and crème colored cotton with silk collar and cuffs and pink ribbon and cutout applique embellishments. Designed with period blocky art deco motif. Retaining the internal bias label with handwritten, “T. O’Neal”. Worn by O’Neal in her Academy Award winning role and highly visible at the “carnival con” scene and in promotional materials and posters.  In vintage fine condition. $12,000 – $15,000″

SOLD!

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Rebecca Starr!

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Bobby-soxer:

bobby-soxer

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This pornagraphic novel

stud-broad

really impressed me when I was 12 years old!

“VINTAGE RARE Outsider Underground BOOK LESBIANA STUD BROAD

“The Story of The Creation of a Lesbian” by Justin Kent

Author of:

Explosive

Eye Witness

Temptation

Frustration

Queen Bee

Prison Love Erotic New York City 175 pages

Rare book from a dangerous time for women, women of color, women loving women, law, beliefs, privacy, incarceration, life, the depression, war, etc.

AMAZING INFORMATIVE EXOTIC STORY AND BOOK.”

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Depictions of Brie from admirers:

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&

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inspired_by_brie_livingston_by_lyrestr

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Free year-end bonus:

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Just click on “sissy” below to play mp4 video:

sissy

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Brie as Shirley:

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Shirley and Juliet

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“Prior to 1914 the majority of the world’s films were made abroad. When the war disrupted European film production, American filmmakers leapfrogged ahead to capture the world market. Concentrating film production in the Los Angeles area, with its sunshine, temperate climate, and abundant land, and emphasizing maximum efficiency, American companies turned out films on a large scale. By 1920 these companies produced 80 percent of the world’s movies; by 1930, 90 percent.””
   Dominating the industry were the “Big Five” motion picture conglomerates: Loew’s, Inc., owner of the nation’s largest theater circuit and the parent company of Metro-Goldwyn-Mayer; Paramount; Warner Bros.;Fox; and Radio-Keith-Orpheum (RKO). All of these integrated film production, distribution, and exhibition on a massive scale, nationally and internationally. Among the next rank of motion picture corporation, the “Little Three,” Universal Pictures and Columbia Pictures were similarly organized, though with proportionally fewer theaters. The last of the Little Three, United Artists, functioned principally as a backer and distributor for independently produced films.”

“Shirley [Temple] is always the center of the camera’s attention. Wearing a very short, frilly dress and with her chubby legs and full cheeks,

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she seems scarcely more that a toddler, making her dancing ability seem almost preternatural. “Baby Take a Bow” proved to be among the most popular movies of the year.Her admirers respond to her dubious coquetry, to the sight of her well-shaped and desirable little body.”
  “Ironically named Joy and memorably played by eight-year-old Jane Withers,

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who became a child star in her own right in Fox’s B movies. Pampered and spoiled, she is mean, loud, and destructive.”   
(“The Little Girl who fought the Great Depression Shirley Temple and 1930s America” by John F. Kasson)

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Hasta be Shasta!

shasta

If the kids arrive unexpectedly, all Shasta has to do is pull down her top to cover her boobs, and jerk down her skirt!

22 year old Molly Rome

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from Pittsburgh Pa –fantastic pigtails!

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From: Karen Ramirez To: brie@brietv.com
earthly delight
11 Oct, 16 5:59:28 PM
I was google searching for “vintage bobby soxer” photos and found this:

bobby-9
 
and this:

poodle_skirt_mommy
 
I LOVE, LOVE,LOVE your art and your website.  Thank you for putting it all out there!!!  Karen

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Wikipedia:
“Judith Carr (Juliet Anderson or Aunt Peg) was born and grew up in Burbank, California, the daughter of a jazz trumpet player and an aspiring nurse.  Graduating from Burbank High School in 1956 (where she was a straight-A student), she briefly attended Long Beach State College as an art major before relocating to Hayama, Japan, in 1961, with her then lover, a Navy sailor. A brief marriage to him did not work out, ending in 1964, and she spent the next thirteen years in various occupations, including clerical worker, teaching assistant in kindergarten and high school, and English as a Second Language teacher, and working as a radio journalist in Finland.

In 1963, while living in Miami, Anderson was secretary to a producer of “nudie” movies and a receptionist at the Burger King home office; she also worked for Avis during this period. In her website autobiography, she indicates that she appeared in an (unnamed) sexploitation film in 1963, portraying a police sergeant.

During this time, Anderson was known by her birth name of Judith Carr. She did not begin using the moniker “Juliet Anderson”

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until later in her adult film career, when she made the transition from 8mm productions to feature films.

 

 

Tough Cow Town

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From Wikipedia:

Lady in a Cage is a 1964 American psychological thriller film directed by Walter Grauman, written and produced by Luther Davis,and released by Paramount Pictures. It stars Olivia de Havilland and features James Caan in his first substantial film role.

When an electrical power failure occurs, Mrs. Hilyard

kathy

(Olivia de Havilland), a wealthy widow recuperating from a broken hip, becomes trapped between floors in the cage-like elevator she has installed in her mansion. With her son Malcolm (William Swan) away for a summer weekend, she relies on the elevator’s emergency alarm to attract attention, but the only response comes from an alcoholic derelict, George (Jeff Corey), who enters the home, ignores her pleas and steals some small items.

The wino sells the stolen goods to a fence, then visits his prostitute friend, Sade

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(Ann Sothern), and tells her of the treasure trove he has stumbled upon. The expensive goods George fenced attract the attention of three young hoodlums, Randall (James Caan), Elaine (Jennifer Billingsley) and Essie (Rafael Campos). The trio follows George and Sade back to the Hilyard home, where they conduct an orgy of violence, killing George the wino and locking Sade in a closet.

Randall then pulls himself up to the elevator and taunts Mrs. Hilyard with a note left behind by her son Malcolm, in which he threatens suicide because of her domineering manner. Shocked by the revelation, Mrs. Hilyard struggles with Randall, escapes the elevator, and crawls out of the house. Randall follows and, as he is attempting to drag her back inside, Mrs. Hilyard gouges his eyes, but is dragged inside by his accomplices. As she crawls back outside, the blinded assailant stumbles into the street and is run over by a passing automobile, whereupon police arrive to arrest the surviving intruders and comfort the victim.

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Bobby-soxer:

bobby-soxer

&

gmilf

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“Old Jack sat on a bench in the old plaza in the Old Town of Los Angeles. The district thereabouts, Mexicans to the south, Chinese to the east, Italians to the north, immigrant Jews to the West, had escaped those things called improvements. It remained about as it had been since Los Angeles was a tough cow town, down through the era of round cuffs and bustles, the coming of the gasoline buggy and the “settlers” from the East. So remained many of its old-time habitues.”

&

“She

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walked with the rubbery walk that went with her youth, her well-poised body, and her low-heeled waitress shoes.”
(TURN OFF THE SUNSHINE: TALES OF LOS ANGELES ON THE WRONG SIDE OF THE TRACKS by Timothy G. Turner)

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Saddle shoes

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& Brie prom shoes:

prom-shoes

 Janet Mason waitress:

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Brie as Shirley:

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Saddle shoes

Sybil

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From Wikipedia:

“Sybil Jason

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(born Sybil Jacobson; 23 November 1927 – 23 August 2011) was a South African-born American motion-picture child actress who, in the late 1930s, was presented as a rival to Shirley Temple.

Born in Cape Town, South Africa, she began playing the piano at age two and, a year later, began making public appearances doing impersonations.  She was introduced to the theatre-going public of London by way of her uncle, Harry Jacobson, a then-popular London orchestra leader and also pianist. The apex of her career came with a concert performance with Frances Day at London’s Palace Theatre. Jason’s theatre work led to appearances on radio and phonograph records, and a supporting role in the film Barnacle Bill (1935).

Irving Asher, the head of Warner Bros.’ London studio, saw Jason’s performance in Barnacle Bill and subsequently arranged for her to make a screen test for the studio. The test was a success, resulting in Warner Bros. signing her to a contract. Her American film debut came as the lead in Little Big Shot (1935), directed by Michael Curtiz and co-starring Glenda Farrell, Robert Armstrong, and Edward Everett Horton. Jason followed this with supporting roles opposite some of Warner Bros. most popular stars, including Kay Francis in I Found Stella Parish (1935), Al Jolson in The Singing Kid (1936), Pat O’Brien and Humphrey Bogart in The Great O’Malley (1937), and again with Kay Francis in Comet Over Broadway (1938). Warners also starred her in The Captain’s Kid (1937), and four Vitaphone two-reelers filmed in Technicolor: Changing of the Guard, A Day at Santa Anita, Little Pioneer, and The Littlest Diplomat.

Jason, however, never became the major rival to Shirley Temple that Warner Bros. had hoped for and, her film career ended after playing two supporting roles at 20th-Century Fox. These films — The Little Princess (1939) and The Blue Bird (1940) — were in support of Temple, who became her lifelong friend.

Sybil Jason became a naturalized United States citizen in 1952.
Died     23 August 2011 (aged 83)
Northridge, California, U.S.”

“However, there are some perceptible directors, producers, and casting agents who have the ability to look at a young girl dressed in a sweater and saddle shoes

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and be able to envision a potentially glamourous box office winner.” (“MY FIFTEEN MINUTES” by Sybil Jason)

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Jamie:

jamie

 & Julia:

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Molly Rome bobby-soxing:

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& a super mommy:

super mommy

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“the severely tailored white blouse unbuttoned to the bottom button and half-draped over her firm upper arms.”
Her brief pale green skirt was pulled upward against the strain of her body, exposing an eyeful of nylon-sheathed thigh.”

susan

(“Naked Came the Stranger” by Penelope Ashe)

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Not Patty:

not patty

 Brie as Shirley:

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Virginia and Chasey

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Wikipedia:

“Virginia  Weidler

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(March 21, 1927 – July 1, 1968) was an American child actress, popular in Hollywood films during the 1930s and 1940s.

Weidler made her first film appearance in 1933. Over the next few years, she was cast in minor roles for RKO and Paramount Pictures. Neither studio made more extensive use of her, and when Paramount did not extend her contract, she was signed by MGM in 1938. Her first film for MGM was with their leading male star Mickey Rooney in Love Is a Headache (1938). The film was a success and Weidler was later cast in larger roles. She was one of the all-female cast of the 1939 film The Women, as Norma Shearer’s character’s daughter.

Her next major success was The Philadelphia Story (1940) in which she played Dinah Lord, the witty younger sister of Tracy Lord (Katharine Hepburn). As a teenager she was less popular with audiences.

After a string of box-office disappointments, her film career ended with the 1943 film Best Foot Forward. At her retirement from the screen at age 16, she had appeared in more than forty films, and had acted with some of the biggest stars of the day, including Clark Gable and Myrna Loy in Too Hot to Handle, Bette Davis in All This and Heaven Too and Judy Garland in Babes on Broadway.

Her older brother, saxophonist George Weidler, (1926–1989) was married to Doris Day from March 1946 to May 1949. Prior to her birth, Weidler’s German-born father, Alfred Weidler, (1886–1966) had been an architect in Hamburg, Germany, but moved the family to Los Angeles in 1923 and went on to become a model builder with 20th Century Fox. Her mother, Margaret (née Meyer), had been an opera singer in Germany.

On March 27, 1947, aged 20, Weidler married Lionel Krisel.

Weidler refused to be interviewed for the remainder of her life, living in private. She remained married to Krisel until her death on July 1, 1968, when she suffered a heart attack in Los Angeles at age 41.”

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Chasey Lain demonstrates the poodle skirt!

chaseylanepoodle

and Brie too!

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“Barbara came out of the bathroom naked and got dressed, first a bra and panties and a half-slip and a garter belt and stockings

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(no girdle, not even after two kids), and then making up her face and doing her hair, and last, her jewelry: a watch, and her wedding ring.”
(W.E.B. Griffin)

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Bobby socks:

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& Debbie:

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dandy133: “Love those stockings – look much better on you than women”

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Rebecca Starr!

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Brie as Shirley:

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